Question Details

Match List – I with List – II.

List – I (Term/Concept)
List – II (Invented / Coined by)
A. Objectivism
I. John Ruskin
B. Pathetic Fallacy
II. G.M. Hopkins
C. Sprung Rhythm
III. William Carlos Williams
D. Structures of Feeling
IV. Raymond Williams

Choose the correct answer from the options given below:

Options

A

A-I, B-II, C-IV, D-III

B

A-II, B-III, C-I, D-IV

C

A-IV, B-II, C-III, D-I

D

A-III, B-I, C-II, D-IV

Show Answer

Correct Answer :

Option D

A-III, B-I, C-II, D-IV

Solution :

The correct answer is A-III, B-I, C-II, D-IV.

To understand why this is the correct matching, let us look at each term and its origin step-by-step:

A. Objectivism – III. William Carlos Williams:
Objectivism was an influential modernist poetic movement that emerged in the 1930s. Writers like William Carlos Williams, Louis Zukofsky, and Charles Reznikoff championed this approach. It emphasized treating a poem as a concrete object and focusing on clear, objective descriptions of physical reality rather than subjective emotional interpretation.

B. Pathetic Fallacy – I. John Ruskin:
The term "pathetic fallacy" was coined by the prominent Victorian art critic and writer John Ruskin in the third volume of his work Modern Painters (1856). It describes a literary device where human emotions, thoughts, or sensations are attributed to inanimate objects or nature (for example, describing the wind as "crying" or the clouds as "sullen").

C. Sprung Rhythm – II. G.M. Hopkins:
Sprung rhythm is a unique poetic meter developed and popularized by the Victorian poet Gerard Manley Hopkins. Unlike traditional English meter which relies on alternating stressed and unstressed syllables, sprung rhythm is based on the number of stressed syllables in a line, allowing any number of unstressed syllables to accompany them, mimicking the natural flow of spoken English.

D. Structures of Feeling – IV. Raymond Williams:
"Structures of feeling" is a key theoretical concept introduced by the influential cultural theorist Raymond Williams. He used it to describe the lived, shared experiences, values, and sensibilities of a particular generation or historical moment, particularly at a stage when they are still active and felt, but have not yet solidified into formal institutions or ideologies.

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