Match the List-I with List-II.

LIST-I (TERM)	LIST-II (CRITIC/THEORIST)
A. Culture Industry	I. Raymond Williams
B. Anxiety of Influence	II. Adorno and Horkheimer
C. Cultural Materialism	III. Mikhail Bakhtin
D. Dialogism	IV. Harold Bloom

Choose the correct answer from the options given below.

The correct answer is A-II, B-IV, C-I, D-III.

Here is a detailed explanation of each match to understand why this pairing is correct:

A. Culture Industry - II. Adorno and Horkheimer
The term "Culture Industry" was coined by the critical theorists Theodor Adorno and Max Horkheimer in their influential book Dialectic of Enlightenment (1947). They used it to describe how popular culture in capitalist societies functions similarly to an industry, producing standardized cultural goods (films, radio programs, magazines) to manipulate society into passivity and conformity. Thus, A matches with II.

B. Anxiety of Influence - IV. Harold Bloom
"Anxiety of Influence" is a landmark concept in literary criticism developed by Harold Bloom in his 1973 book The Anxiety of Influence: A Theory of Poetry. Bloom argues that poets are hindered and psychologically pressured in their creative process by the overwhelming influence of precursor poets, leading them to engage in a creative misreading or misinterpretation of their predecessors to clear a space for their own imaginative work. Thus, B matches with IV.

C. Cultural Materialism - I. Raymond Williams
Raymond Williams, a founding figure of Cultural Studies, developed the theoretical framework of "Cultural Materialism." This approach analyzes cultural products (like literature and art) within the material conditions of their production, viewing culture not as an idealized domain separate from society, but as a productive force deeply intertwined with social, economic, and political structures. Thus, C matches with I.

D. Dialogism - III. Mikhail Bakhtin
"Dialogism" is a key concept associated with the Russian philosopher and literary theorist Mikhail Bakhtin. It refers to the idea that language, literature, and meaning are inherently dialogic—meaning they are always in a state of dialogue with other voices, past utterances, and social contexts, rather than existing as a single, isolated monologue. Thus, D matches with III.

Combining these individual matches, we get:
A-II, B-IV, C-I, D-III.