Read the following passage and answer the questions that follow.
Most near, most dear, most loved and most far.
Under the window where I often found her Sitting as huge as Asia, seismic with laughter Gin and chicken helpless in her Irish hand. Irresistible as Rabelais, but most tender for The lame dogs and hurt birds that surround her,- She is a procession no one can follow after But be like a little dog following a brass band.
She will not glance up at the bomber, or condescend
To drop her gin and scuttle to a cellar,
But lean on the mahogany table like a mountain Whom only faith can move, and so I send
O all my faith, and all my love to tell her
That she will move from mourning into mourning.

The poem uses

The correct option is: Cartographic and nature images.

To understand why this option is correct, we can analyze the imagery used by the poet in the passage:
1. Cartographic images: Cartography refers to the art or science of drawing maps or representing geographical areas. In the poem, the poet compares the subject's physical presence or laughter to a vast continent by stating she sits "as huge as Asia." Comparing a person to "Asia" is a geographical/cartographic reference.
2. Nature images: The poem also contains clear references to elements of nature. For instance, the poet describes her as leaning on the mahogany table "like a mountain." A mountain is a prominent nature-based image. Additionally, the mention of "hurt birds" refers to living creatures within the natural world.

By combining these elements, we see that the poet utilizes both map-like geographical references ("Asia") and natural formations or elements ("mountain", "birds"). Therefore, the poem uses cartographic and nature images.